I’m pleased to be teaching a short seminar at the Handweavers Guild of America biennial Convergence conference next summer in Knoxville, Tennessee. It’s not a full-on

I’m pleased to be teaching a short seminar at the Handweavers Guild of America biennial Convergence conference next summer in Knoxville, Tennessee. It’s not a full-on
I made special friends with a Frida Hansen transparency at the public library in Sølvberget, the Stavanger Cultural Center–I visited three times. The mermaids hang in
Olavteppe (St. Olav Tapestry) 1927-1931 On the last day of my stay at Frida Hansens Hus in Stavanger, I walked downtown to the Domkirke, the
“Roses in the Landscape,” 1903. The roses that appear in so many of Frida Hansen’s works star alone in this double tapestry panel at the
High Summer, 1921, is one of Frida Hansen’s later transparent panels, and it hangs in the Stavanger Art Museum. It has a sort of crazy sense
When you walk into the gallery devoted to Frida Hansen at the Stavanger Art Museum, “Semper Vadentes” hangs prominently, with four figures leading you out
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