High Summer, 1921, is one of Frida Hansen’s later transparent panels, and it hangs in the Stavanger Art Museum. It has a sort of crazy sense
I was invited to the weavers group meeting at Svithun Husflidslag on the day I arrived in Stavanger. I had few expectations for the meeting,
When you walk into the gallery devoted to Frida Hansen at the Stavanger Art Museum, “Semper Vadentes” hangs prominently, with four figures leading you out
Perhaps I am sitting here in Stavanger on Syttende Mai, after enjoying a wonderful meal of oxtail soup and wine and cake at the home
While my main purpose in Norway is to study the transparency technique of Frida Hansen, I take every opportunity to see tapestry and traditional weaving.
As I walked by “Clematis and Birds of Paradise” (1924) in the Stavanger Art Museum, I was drawn to the birds with long flowing tails.