This morning I marvel at the universality of symbols, and at the enduring appeal of geometric designs. When I studied reams of Frida Hansen’s weaving
This morning I marvel at the universality of symbols, and at the enduring appeal of geometric designs. When I studied reams of Frida Hansen’s weaving
There was an amazing official announcement today from the Stavanger Kunstmuseum. Frida Hansen’s monumental tapestry, Sørover [Southward], was purchased by the Christen Sveaas’ Kunststiftelse (Christen
Anne Grete Krogstad was in my workshop this September at the Norsk Folkemuseum in Oslo. I had already communicated with Anne Grete, because she told
Cindy Owen returned to Chicago after taking my workshop in Milwaukee in November and finished up her trillium beautifully. This is what I wrote about
I haven’t had a krokbragd weaving on my loom for a long time now, but I know it will happen again. So I examine each
This photo is in the archive of the Oslo City Museum. It transports us to Frida Hansen’s weaving studio, Norsk Aaklæde- og Billedtæppe-Væveri, probably in
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