When the world outside seems too real and too worrisome, when daily caregiving realities seem overwhelming and interfere with research and writing, my loom feels
When the world outside seems too real and too worrisome, when daily caregiving realities seem overwhelming and interfere with research and writing, my loom feels
I feel a personal burst of inspiration after each of the workshops I teach in Frida Hansen’s transparent tapestry technique. The students are creative and
Frida Hansen designed around 80 wool open-warp transparent tapestry designs. These tapestries and their designs are worthy of a book in themselves (which I promise
Over the years I’ve documented my weaving life with headlines and magazine covers posed on the loom–through the pandemic, through January 6 and other dramatic
I visited my friend Nanne Stølmacher for dinner in Oslo last fall. Her friend and fabulous weaver, Inger Anne Utvåg, was not able to join
The Nasjonalmuseet in Oslo features a rose-filed transparent tapestry designed by Julie (Jullik) Gulbrandsen (1876 – 1950). Gulbrandsen was a student of Frida Hansen and
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